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Night & Day

Andres Jimenez Trio

Night & Day

Price: € 19.95
Format: CD
Label: TCB The Montreux Jazz Label
UPC: 0725095382021
Catnr: TCB 38202
Release date: 07 June 2024
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1 CD
€ 19.95
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Label
TCB The Montreux Jazz Label
UPC
0725095382021
Catalogue number
TCB 38202
Release date
07 June 2024
Album
Artist(s)
Composer(s)
EN
DE

About the album

The pieces on this album are partly standards from the Broadway repertoire like "Night & Day" or "But Beautiful". Others such as "Someday My Prince Will Come" or "Estate" were written later and became standards. Finally, the title “En La Orilla Del Mundo” comes from South American culture, to which I am very attached through my Hispanic roots.

For me, these pieces have several points in common: strong and singular melodies, as well as harmonic frameworks that are sufficiently interesting and flexible to allow the jazzman that I am to express himself

My manner of interpreting these works is to stay quite close to the original composition, without artifice, while adding a personal touch.

For the recording of this album, I wanted there to be spontaneity, so I decided to select pieces that we had never played together before. I hope that you will enjoy our interpretations, that you will hear our voices in them, and that these melodies will seduce you as they seduced me.

- Andres Jimenez
Die Stücke auf diesem Album sind teilweise Standards aus dem Broadway-Repertoire wie "Night & Day" oder "But Beautiful". Andere wie "Someday My Prince Will Come" oder "Estate" wurden später geschrieben und zu Standards. Schließlich stammt der Titel "En La Orilla Del Mundo" stammt aus der südamerikanischen Kultur, der ich durch meine hispanischen Wurzeln sehr verbunden bin.
Für mich haben diese Stücke mehrere Punkte gemeinsam: starke und einzigartige Melodien, sowie ein harmonisches Gerüst, das interessant und flexibel genug ist, um sich als der Jazzer, der ich bin, auszudrücken.
Bei der Interpretation dieser Werke halte ich mich eng an die ursprüngliche Komposition, ohne Kunstgriffe, aber mit einer persönlichen Note. Für die Aufnahme dieses Albums wollte ich Spontaneität, und so entschied ich mich für Stücke auszuwählen, die wir noch nie zusammen gespielt haben.
Ich hoffe, dass Sie unsere Interpretationen genießen werden, dass Sie unsere Stimmen darin hören werden, und dass diese Melodien Sie verführen werden, so wie sie mich verführt haben.

Artist(s)

Andres Jimenez (piano)

Formerly known as Marcos Jimenez,  Andres Jimenez performs in major international jazz events and jazz clubs around the world. His main projects as a leader, include a quintet, a trio, and a piano solo. Beside his career on stage, Andres is a regular teacher at the Ejma of Lausanne and AMR in Geneva. Andres Jimenez, Spanish born raised in Geneva, Switzerland, started at the age of 10 by playing everything he heard by ear. Music has been always part of the life of his family that produced several professional musicians: “my parents bought a piano upon their arrival in Geneva, I initiated myself reproducing what I heard on records and from radio, soon I started to improvise my own compositions”. He...
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Formerly known as Marcos Jimenez, Andres Jimenez performs in major international jazz events and jazz clubs around the world. His main projects as a leader, include a quintet, a trio, and a piano solo. Beside his career on stage, Andres is a regular teacher at the Ejma of Lausanne and AMR in Geneva.

Andres Jimenez, Spanish born raised in Geneva, Switzerland, started at the age of 10 by playing everything he heard by ear. Music has been always part of the life of his family that produced several professional musicians: “my parents bought a piano upon their arrival in Geneva, I initiated myself reproducing what I heard on records and from radio, soon I started to improvise my own compositions”. He soon began listening to pop recordings that his brother brought home. He began playing along with those recordings and into his teens started to go on stage with cover bands of the Beatles, the Moody Blues, and others in vogue at that time.

Andres Jimenez studied jazz piano for two years with pianist Michel Bastet. Then, during eight years he attended the course of Sébastien Risler in the Conservatoire Populaire de Genève. where he was deeply immersed in, and fascinated by classical and contemporary music. Additionaly, he attended composition lessons with composer Eric Gaudibert.

Later, he had piano lessons with Franco d'Andrea, Richie Beirach, and most importantly Kenny Werner.

In 1995 he graduated from his classical studies obtaining a certificate with the congratulations of the Jury, and the Special Prize Kneiffel.

He then continued his exploration of jazz as an autodidact, transcribing solos and arrangements, playing with local musicians such as Erik Truffaz, Maurice Magnoni, Mathieu Michel, Christophe Calpini, Patrice Moret, Daniel Schläppi, Dominic egli, Marcel Papaux, to name a few.

He also founded the Andres Jimenez quartet and performed his own compostions with musicians such as Marc Johnson, Bänz Oester and Norbert Pfammatte for a tour in Switzerland and France.

Daniel le Bris in one of his reviews defined Andres as ”a rare, sensitive and inventive artist, subtle melodist that is worth the stop. Unwilling to succumb to the siren charms of the facility, the musician realized that music is about feeling, sensuality. And alone or with his trio, the note is there, that hits the right place. His attraction to the diversity makes him a pianist "atypical" attentive to all types of music".

Andres Jimenez has accompanied many singers, including Christine Python with whom he won the Sacem prize at the vocal competition of “Festival de Crest” in France, he played with drummer Daniel Humair and worked with french female singer Zizi Jeanmaire and choreographer Roland Petit. He was the pianist and arranger for what should be the final “tour de chant” of Mrs Zizi Jeanmaire. He also composed a song for her, which was recorded on the album "La Liberté est une Fleur".


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Composer(s)

Thelonious Monk

The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years.
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The most important jazz musicians are the ones who are successful in creating their own original world of music with its own rules, logic, and surprises. Thelonious Monk, who was criticized by observers who failed to listen to his music on its own terms, suffered through a decade of neglect before he was suddenly acclaimed as a genius; his music had not changed one bit in the interim. In fact, one of the more remarkable aspects of Monk's music was that it was fully formed by 1947 and he saw no need to alter his playing or compositional style in the slightest during the next 25 years.

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Sonny Rollins

Walter Theodore 'Sonny' Rollins (born September 7, 1930) is an American jazz tenor saxophonist, widely recognized as one of the most important and influential jazz musicians. A number of his compositions, including 'St. Thomas', 'Oleo', 'Doxy', 'Pent-Up House', and 'Airegin', have become jazz standards.  Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, Harlem, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. He has said that a concert by Frank Sinatra at his high school, accompanied by a...
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Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist, widely recognized as one of the most important and influential jazz musicians. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, Harlem, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. He has said that a concert by Frank Sinatra at his high school, accompanied by a plea for racial harmony, changed his life. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future jazz legends Jackie McLean, Kenny Drew and Art Taylor.
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